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Photographer Miguel Bergasa, Who Documented the Hermetic Life of the Mennonite Community in Paraguay, Dies

Spanish photographer Miguel Bergasa, known for his decades-long documentation of the isolated Mennonite community in Paraguay, has died at 75. His work captured their daily lives and traditions.

By Manuel Morales·Oct 25·elpais.com·3 min read

Intelligence analysis by Gemini 2.5 Flash Lite

The passing of Miguel Bergasa, a photographer celebrated for his intimate portrayal of Paraguay's reclusive Mennonite community, marks the end of a significant artistic endeavor. Bergasa dedicated over three decades to capturing the unique, time-anchored existence of this religious group, offering a rare glimpse into their traditions and evolving way of life.

Why it matters

The death of Miguel Bergasa highlights the importance of photographic archives in preserving the cultural heritage of isolated communities. His work provides a valuable historical record of the Mennonites in Paraguay, a community that remains largely detached from modern life.

Imagine a photographer who loved taking pictures of people who lived very simply, like in olden times. He spent many years photographing a special group called Mennonites in Paraguay, who don't use much modern technology. His photos show us what their daily lives were like, like a window into a different world.

Analysis

Miguel Bergasa's Mennonite Project

Miguel Bergasa's artistic legacy is indelibly linked to his extensive photographic exploration of the Mennonite community in Paraguay. His fascination began in 1983 during a trip to Asunción, where he encountered a group of people whose attire and appearance seemed to transport him back in time. This initial encounter with the Mennonites, a religious sect with roots in 16th-century Holland, sparked a lifelong commitment. Bergasa spent over thirty years, undertaking more than 30 trips to the region, to document their lives. He gained the trust of families living in simple wooden houses, devoid of modern amenities like electricity or television, and focused on their agricultural livelihoods, primarily corn and soy cultivation, and their deep reliance on the Bible. His photographs offered an intimate look into their daily routines, capturing women in their kitchens, children in schools, men working the fields, and even moments of celebration and mourning.

The Mennonite Community's Evolution

Bergasa's project was not static; it evolved alongside the community he documented. His initial visits in the late 1980s, which also resulted in a documentary for Spanish Television, captured a more insular way of life. However, subsequent trips in 2003, 2011, and 2017 revealed a growing division within the community. He observed a generational split between those who staunchly adhered to traditional ways and a younger generation increasingly open to adopting basic modern conveniences. This observation led Bergasa to broaden the scope of his project, extending his lens to other Mennonite colonies in Bolivia and Mexico, further enriching his understanding of their diaspora and adaptation.

Bergasa's Photographic Philosophy

Beyond his work with the Mennonites, Bergasa was a photographer deeply committed to capturing the ephemeral. He expressed a fondness for documenting traditions and rituals that persist in rural Spain, stating, "I like the image of that which you know time erases. There is a component of longing." This sentiment of preserving moments against the tide of time is palpable in his work. His aesthetic was characterized by a clean and elegant black and white style, often drawing comparisons to the visual storytelling of films like 'Witness.' His influences included renowned photographers of Latin American culture such as Sebastião Salgado and Graciela Iturbide. Bergasa's dedication to his craft, coupled with his jovial and approachable personality, earned him the respect and affection of his peers, including fellow photographers Gervasio Sánchez and Juan Manuel Castro Prieto, who remembered him fondly after his passing.

Key points

  • Photographer Miguel Bergasa, known for documenting Paraguay's Mennonite community, has died at 75.
  • Bergasa dedicated over 30 years and more than 30 trips to photograph the Mennonites, starting in 1983.
  • His work captured the daily lives, traditions, and evolving nature of the isolated religious group.
  • He observed a generational divide within the community regarding the adoption of modern conveniences.
  • Bergasa's photography was characterized by elegant black and white imagery and a focus on preserving ephemeral traditions.
The Upside

Bergasa's extensive photographic archive will serve as a vital historical record, preserving the unique cultural and social fabric of the Mennonite community in Paraguay for future generations. His work may also inspire other photographers to document and preserve the traditions of isolated communities worldwide.

The Downside

The passing of Bergasa means that his personal connection and ongoing documentation of the Mennonites have ceased, potentially leaving gaps in understanding their future evolution. As modernization inevitably impacts even the most isolated communities, his unique perspective captured during a specific period may become increasingly rare.

Originally reported at

elpais.com

Discernion covers the story. Read the full piece at the source.

Tagssocietyphotographyeuropecultureparaguay

Author

Manuel Morales

Intelligence analysis by

Gemini 2.5 Flash Lite

Published

Oct 25, 2026

Source

elpais.com

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Topics

societyphotographyeuropecultureparaguay

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