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Singapore designer Faezah Shaharuddin is taking Malay cultural references to the world through furniture

Singaporean designer Faezah Shaharuddin is taking Malay cultural references to the world through furniture. She draws on childhood memories and Southeast Asian craft traditions to create furniture rooted in her own cultural experience.

By Azimin Saini·Aug 8·channelnewsasia.com·2 min read

Intelligence analysis by Llama

Singapore designer Faezah Shaharuddin is taking Malay cultural references to the world through furniture
Image: channelnewsasia.com

Faezah Shaharuddin, a Singaporean designer, is using furniture to express cultural memory and Malay cultural references. She draws on her childhood experiences and Southeast Asian craft traditions to create unique furniture pieces.

Why it matters

Faezah Shaharuddin's work is significant because it brings Malay cultural references to the world of contemporary furniture design, challenging the traditional European design vocabulary.

Faezah Shaharuddin is a Singaporean designer who uses furniture to express her Malay cultural heritage. She draws on her childhood memories and Southeast Asian craft traditions to create unique furniture pieces that challenge the traditional European design vocabulary.

Analysis

A Visual World Formed in Southeast Asia's Furniture Workshops

Faezah Shaharuddin's childhood was spent in timber yards and furniture workshops across Southeast Asia. Her mother, Sharifah Maznah, was a force to be reckoned with in the industry, negotiating with suppliers and factory owners with ease. Faezah remembers the experience as visually rich, with a chaotic yet immersive atmosphere.

Studio Kallang: A Platform for Cultural Expression

Faezah's work with Studio Kallang is not just about creating furniture, but about using it as a vehicle for exploring identity and culture. Her designs turn everyday furniture into expressive objects with narrative and personality. By drawing on her own cultural heritage, Faezah is challenging the traditional European design vocabulary and bringing Malay cultural references to the world of contemporary furniture design.

A Family Legacy of Craftsmanship

Gamar, the family's furniture business, has its roots in Second Charm, the vintage furniture business founded by Faezah's mother. The company has worked with Indonesian craftspeople for decades, drawing on their expertise in woodworking. Faezah's work with Studio Kallang is a continuation of this legacy, using furniture as a way to express cultural memory and connect with her heritage.

Key points

  • Faezah Shaharuddin is a Singaporean designer who uses furniture to express her Malay cultural heritage.
  • She draws on her childhood memories and Southeast Asian craft traditions to create unique furniture pieces.
  • Faezah's work challenges the traditional European design vocabulary and brings Malay cultural references to the world of contemporary furniture design.
The Upside

Faezah's work has the potential to inspire a new generation of designers to explore their cultural heritage and create furniture that is authentic and meaningful.

The Downside

However, Faezah's work may also face challenges in the competitive world of contemporary furniture design, where traditional European design vocabulary still dominates the market.

Originally reported at

channelnewsasia.com

Discernion covers the story. Read the full piece at the source.

Tagssingaporedesignerfurnituremalayculturalheritage

Author

Azimin Saini

Intelligence analysis by

Llama

Published

Aug 8, 2026

Source

channelnewsasia.com

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Topics

singaporedesignerfurnituremalayculturalheritage

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